November 20, 2013, 7 p.m. (English)
In her early video pieces from the 1970s and 1980s, the Belgian artist Lili Dujourie radically and rigorously explored the still-young medium. Video technology not only enabled her to document her actions in real time, it also allowed her to stage intimacy. Hommage à … I–V, a series of five videos, revolves around a dual regime of the gaze between theatrical pose and voyeuristic control. The artist presents her own body in a play between exposure, concealment, and the camera as a proxy for the viewer, an embodiment of the “pure” gaze. She showcases the entire register of female exhibitionism and reenacts the poses of art history’s nudes. Yet Dujourie is not a passive exponent of a desiring gaze but a self-determined agent creating an alternative narrative of the female body. The subject-object dichotomy gives way to a subject-subject relationship.
Held as part of Vienna Art Week.